It is recommended to listen to these pieces with headphones, as opposed to the built-in speakers of a computer.
Dear Diary [Into the Void], 2018
Each track of this short EP is created by typing up how I feel in a specific moment. Those words are translated from letters to MIDI notes in real time, and then the words cease to exist. They are not preserved anywhere, and I can never retrieve them. Instead, I take the remaining MIDI notes and build sonic vignettes as a way to redirect how I feel.
Each track of this short EP is created by typing up how I feel in a specific moment. Those words are translated from letters to MIDI notes in real time, and then the words cease to exist. They are not preserved anywhere, and I can never retrieve them. Instead, I take the remaining MIDI notes and build sonic vignettes as a way to redirect how I feel.
As a way to understand and process news and information that I consume via Twitter, I am searching for and collecting tweets around a theme or on a specific date when a level of disconnect resonates for me personally. I will then retype each tweet and record those keystrokes and convert them into MIDI notes. Those notes are then the backbone of my digital compositions.
Full of Sound and Fury, 2017
All the Tweets from 45, January 27, 2017
duration: 3'45"
Full of Sound and Fury, 2017
All the Tweets from 45, January 27, 2017
duration: 3'45"
Harvey/Holzer, 2017
All the Tweets from 45, August 25 10pm CMT - August 27, 2017
duration: 11'48"
Excerpts read from Jenny Holzer's Inflammatory Wall, 1979–82 on the Mass MoCA campus
All the Tweets from 45, August 25 10pm CMT - August 27, 2017
duration: 11'48"
Excerpts read from Jenny Holzer's Inflammatory Wall, 1979–82 on the Mass MoCA campus